Privacy for Writers: Why Writers Should Care about Privacy in a Connected World and What They Can Do About It

Facebook. Twitter. Tiktok. Snapchat. You’re a writer and you thought writing books meant, well writing books. But now you have to be online, build a platform and be accessible. But in today’s hyper connected world, the risks to an author’s privacy are exponential. 

But privacy is hard and its designed to be hard by the companies that profit from surveilling our lives.  How do you protect your privacy so that you can both have an online platform and connect with readers while protecting yourself, your family, and your reputation? 

As an author and a privacy professor, she understands that privacy often doesn’t matter to people - until it does. 

By the end of this presentation, you will be better prepared to understand what you’re giving up when you sign click agree to the terms and conditions, why it matters for actors, and specifically what the minimum steps are to take to raise the bar on personal privacy without having to sell your firstborn to hire a personal security consultant.  You’ll get actionable steps to take to start protecting your privacy, cleaning up your information from the internet, and giving yourself piece of mind that in the event you end up going viral for something you didn’t plan, you’ll be better able to keep the conversation online instead of showing up on your doorstep.  

This presentation will cover:

One-on-One with Crosby Selander

Matt Misetich, Executive Director of Pipeline Media Group, talks with screenwriter Crosby Selander about the state of the screenwriting industry. Included in the discussion is a live Q&A with the attendees.

Crosby Selander is a Los Angeles based screenwriter and filmmaker. He received a double BA from New York University, and his MFA from Carnegie Mellon University where he was the recipient of a Shubert Fellowship. After placing as a finalist in the Script Pipeline Screenwriting Contest, his screenplay BRING ME BACK (currently set up at Legendary) went on to become the biggest spec sale of 2020, and one of the biggest all-time from an unproduced writer.

Crosby went on to develop the Hugo-winning novel THE FOREVER WAR for TV alongside director Francis Lawrence for Village Roadshow, and served in the feature writing room for the MATCHBOX movie for Skydance.

He has projects in active development at Lab Brew, 193, and Weed Road. His short films have played at the Santa Barbara International Film Festival, Hollyshorts, and dozens of other film festivals around the world. He’s been featured in Variety, the Hollywood Reporter, Deadline, and China Daily, among others.

He's repped for film/tv at UTA and Kaplan Perrone Entertainment.

Book Marketing for People Who Hate Social Media

A real strategy for real writers—no algorithms, no follower count, no reels required.

Tired of being told you have to be on Instagram, TikTok, or Twitter to sell your book? You’re not alone—and you’re not wrong. In this refreshingly honest, high-impact session, bestselling author and book coach Rea Frey reveals a sustainable, soul-aligned approach to book marketing—without relying on social media at all.

Whether you’re a debut author or a burned-out veteran, this workshop gives you a new way to grow your audience and launch your book on your terms.

You’ll learn how to:

You’ll walk away with:

This is for the writers who want to be seen without selling out.
Let’s get booked—without the ’gram.

What attendees have said ...

Rea is an amazing presenter and her content is ultra valuable to me, a debut memoirist preparing to query and who is horrified by the idea of social media engagement!

The seminar gave hope and encouragement to Indie publishers', especially to those getting on in years.

This was a really fantastic session. The presenter was incredibly well prepared and delivered the material in a really engaging, propulsive way.

All this was new to me. I was riveted! There was so much good information that I am grateful there will be a recording for us. I can picture myself doing—and liking 'most of these platform-building activities!

Beyond the Query: The First 50 Pages

Chantelle Aimée Osman, senior editor at Simon & Schuster's newest imprint, Simon Maverick, joins us for a new Symposium event.

Query letters and synopses are important steps in your publishing journey, but what really lands an agent, editor, or in the end, a reader, are the first 50 pages of your manuscript.

This workshop will not only give you the tools you need to perfect your query and synopsis, but will also discuss common pitfalls in the first 50 pages, and what to do to make them shine.

[Enjoy Chantelle as a guest on "The Story Will Save You" podcast.]

What attendees have said ...

Being Chantelle is part acquisitions editor, it was refreshing to hear that she exercises flexibility rather than following hard and fast rules. I also appreciated her empathy and ability to simultaneously see things from multiple perspectives; she clearly knows the industry, the angst of writers and reader expectations. I was stunned to learn that the Simon Maverick imprint accepts unagented submissions—all I can say is, BRAVO!

Chantelle was a fun and knowledgable presenter. I found her query letter guidance and 50 page polish tips helpful and different from other advice I've received.

I love Chantelle's conversational approach and level of detail in approaching the first 50 pages.  She also added the query process and two handouts, which are extremely helpful.  She also discussed some social media platforms that are useful for promoting books. Developing characters and crafting a thesis statement were also added benefits.

She was knowledgable, very engaging, and encouraging while still being realistic.

One-on-One with Producer Michael Peterson

Pipeline Executive Director Matthew Misetich talked with Michael Peterson, Vice President of Development for Phoenix Pictures, to discuss the art of screenwriting and filmmaking through the lens of a producer.

As always, our Symposium one-on-one conversations are a community event, welcoming the audience's questions, too.

Relevant Symposiums Sessions:

Creative Strategies for the Changing Screenwriting Landscape

Breaking into screenwriting is not only challenging, but it can also be a complete roller-coaster—especially over these past few years!

We’ve been through so much: Covid, Writer’s Strike, Peak TV, and its demise. And now … Coverfly going away and a dramatic change to The Nicholl—which for years had its place on many a writers' bucket lists—has completely upended many screenwriters.

However, at the same time, the feature market is gaining momentum we’ve not seen in years. Not only did Sinners do something in the box office that’s not happened in 16 years (or ever for a horror movie), but specs are also moving in the professional space with more momentum and excitement than we’ve seen in a long time.

To adjust to ongoing changes in industry dynamics, our symposium with Screenwriting Coach Lee Jessup will seek to help you define your most effective next steps in order to work smart and move your screenwriting career forward.

We're proud to announce Lee Jessup's new and exclusive coaching offer through Script Pipeline.

What attendees have said ...

Lee has abundant knowledge and a rapid fire delivery- it’s hard to keep up!

Great session! I am a new screenplay writer and this was so FULL of wonderful information. I have pages and pages of notes. Thank you again!

From Draft to Deal: What REALLY Happens After You Finish Your Book

You typed “The End”… now what?

Finishing your book is huge—but what comes next is what separates a finished manuscript from a published one. In this real-talk symposium, bestselling author and book coach Rea Frey takes you behind the curtain of what actually happens after you finish your draft—and why the real work (and magic) starts after the final page.

We’ll cover:

You’ll walk away with:

Perfect for:
Writers with a finished (or almost finished) manuscript, querying authors, and anyone stuck in the “what now?” limbo after typing The End.

What attendees have said ...

I thoroughly enjoyed the insightful journey into the intricacies of navigating the publishing world post-manuscript. Rea Frey's expertise shone through as she demystified the process, offering practical advice and real-world examples that were both inspiring and invaluable.

What I loved most was Rea's ability to blend her personal experiences with concrete strategies, making complex topics accessible and engaging. It was refreshing to gain a deeper understanding of what truly happens behind the scenes once the manuscript is complete.

It was incredibly informative. This went above and beyond. She was Great!

it was well done, comprehensive. I can't think of anything that was left out.

The Great Publishing Debate: Traditional vs. Self-Publishing and What No One Tells You

Publishing a book is no small feat—but choosing how to publish it? That might be the biggest plot twist of your career. In this no-fluff, myth-busting symposium, bestselling author and publishing strategist Rea Frey breaks down the fantasy, the fine print, and the facts behind both traditional and self-publishing—so you can stop spinning in indecision and start building your own path forward.

We’ll cover:

You’ll walk away with:

Whether you're querying agents, formatting your ARC, or just trying to figure out what the heck BISAC codes are, this symposium will give you the clarity (and courage) to move forward—on your terms.

Perfect for:
Aspiring authors, writers ready to publish, and creatives weighing their options in a rapidly shifting industry.

What attendees have said ...

That seminar was among the best thirty-five bucks I've ever spent. Rea's presentation was filled with useful, practical, and actionable information. I'm just finishing my book and am starting to think about next steps—not really knowing much about publishing nor having any clear idea of what my options were. But Rea laid out the pros and cons of traditional and independent publishing so clearly, it made it easy for me to decide which was best for me. I feel I made days worth of progress in a couple of hours. Time and money well spent!

Another great presentation! Rea Frey was well organized, knowledgeable and very candid. She gave a balanced overview of these two alternative publishing strategies, and seems very clear-headed about the pros and cons of each. I especially appreciated her revelation about how much of her own money she had spent on promoting some of her books. When an expert is willing to discuss their mistakes as well as their successes, their esteem immediately rises—at least for me. This is where I feel that I'm learning from a seasoned pro. 

I received a lot of great information that I needed to help me decide how to publish my second novel. The class also stoked a fire under my butt. I know what I want to do next. Thanks.

After attending an in-person Writing Workshop in Chicago for over $300 and feeling frustrated,  I learned as much or more in attending your Zoom call. As a matter of fact, the speakers answered most of my  questions directly in the chat. I now feel liberated to focus 100 percent of my attention on getting my book out faster (self published) and with a clear direction for my marketing plan.

Submitting to Small Presses and Literary Journals

Wherever you are in the writing process, submitting your work can be a helpful light at the end of the tunnel. But the world of literary magazines and small publishers is so expansive and diverse, it’s hard to know where and how to send your work out for publication.

In this workshop with Dennis James Sweeney, author of How to Submit: Getting Your Writing Published with Literary Magazines and Small Presses, we’ll talk about the landscape of literary magazines and small presses, strategies for achieving your publication goals, and how to navigate the meaningful but difficult act of sending out the writing you’ve worked so hard on.

You’ll leave the class with next steps for submitting your latest piece of fiction, poetry, creative nonfiction, or hybrid work. Join us if you’d like company in the exciting but daunting process of sending out your writing.

This presentation will cover:

What attendees have said ...

I loved not only the presentation but the interaction with us, the participants.

This Symposium provided some much-needed information about the writing industry. I was at the stage of "I've written all this stuff, what do I do now? This provided multiple options that I had not considered. I especially appreciated the constant encouragement throughout the session.

Dennis was a fantastic, on-the-level presenter! He had enthusiasm, empathy and an authentic will to share his experience and knowledge. His insights were incredibly helpful and realistic. Although a number of the small presses he mentioned are not taking submissions I did find a couple who are which is helpful. Also the moderator shared a great LinkedIn tip for self promotion. Thank you!

One-on-One with Literary Agent Kate McKean

Kate McKean is a literary agent at the Howard Morhaim Literary Agency in Brooklyn, but she's also an author and the creator of the popular Agents & Books newsletter. Get ready for the ultimate agent AMA.

Pipeline exec Jeanne Veillette Bowerman conducts an intimate one-on-one dialogue with Kate, diving into the life of an agent, and also her new book, Write Through It: An Insider’s Guide to Publishing and the Creative Life, available now. If that's not enough, she also has a picture book set to publish by Sourcebooks in 2026.

As always, our Symposium one-on-one conversations are a community event. While Jeanne and Kate converse, your questions will be addressed, too.

Pour a beverage, sit back and relax. Enjoy the dialogue.

Resources:

Kate’s Website
Agents + Books Newsletter
Kate on IG
Kate on X
Kate on BlueSky
Kate on Goodreads

Order Kate’s new book, Write Through It: An Insider’s Guide to Publishing and the Creative Life

Free Symposiums Mentioned:

Hard Truths: Book Writing Competitions
One-on-One with Victoria Strauss