How to Approach Edits Without Losing Your Sh*t

You finished your book. You cried. You celebrated. You swore you'd never look at it again. And then... the feedback arrived.

Welcome to the part of the writing process no one talks about enough: edits—the necessary but often soul-crushing step between “I wrote a book!” and “I wrote a great book.”

In this two-hour virtual workshop, bestselling author and editor Rea Frey (who recently rewrote her entire thriller in two weeks) will walk you through exactly how to approach edits without spiraling into self-doubt, analysis paralysis, or burning your manuscript in a ritual fire.

Using real-life examples and client case studies, Rea will demystify the editorial process and share a repeatable, sanity-saving method to move from raw feedback to a polished, submission-ready draft.

Whether you're staring down an editorial letter, facing beta reader notes, or simply trying to revise your own work with fresh eyes, this workshop will give you the tools, structure, and mindset you need to tackle edits with confidence (and maybe even joy).

You’ll Learn:

Includes:

Ideal for:
Writers of all genres who want to strengthen their manuscript and survive the emotional minefield of edits—without giving up on their story (or themselves).

Rewriting the Scene

“A movie is three good scenes, no bad ones.” — Howard Hawks

This symposium focuses on the all important rewrite, with an emphasis on reworking each and every scene in your screenplay. With tools Tom Vaughan developed over twenty years writing professionally and teaching, you will learn a consistent and repeatable process to elevate the most important building block of your story. 

You won’t just have a better draft—you’ll have a sharper eye, a deeper toolkit, and a renewed enthusiasm to dig back into your own work. Whether you're polishing for a producer, a contest, or your own creative satisfaction, "Rewriting the Scene" will give you clear steps to a sharper, stronger, more compelling screenplay.

This presentation will cover:

Raising Emotional Impact by Maximizing Characters and Plot

Your story may be full of twists, turns, and action-packed adventure. But the truth is, even in the most plot-driven blockbusters and the most traditional mystery, readers and watchers want to follow a character on an arc. Without that internal arc adding emotional resonance, even the most tightly plotted story can become confusing and forgettable.

In this session, Karen Krumpak will discuss the ways plot affects character and vice versa, making the most of your opening scenes to set up later growth, and enhancing your story by adding a character arc at any stage of the writing process.

In addition to writers looking to add affecting character moments to plot-based stories without bogging down the pace, this presentation will also be useful to writers looking to create as much emotional impact as possible while clearly and concisely detailing their plot in a synopsis.

This presentation will cover:

  • Why an internal character arc is essential
  • Unique characters vs. a character arc
  • Understanding how your character changes (or doesn’t)
  • Outlining simplified: a bare bones approach to the internal arc
  • Integrating the internal arc with the external, plot-based arc
  • Adding internal arcs as B plots and C plots
  • Examples of stories that seem to lack a character arc
  • Incorporating the internal arc into the synopsis and query letter
  • Q&A

What attendees have said ...

Karen presented detailed content and good demonstrative examples of concepts presented. Liked the brief pauses to think about my own characters arc in context of concepts presented. Appreciated the recording as it is difficult to listen to presenter to absorb info and take notes at same time.

The simple exercises we were given gave me a completely different way to arrive at who my character was, based on her imperfect environment and how she navigates it. I had a huge AHA moment, and I can't wait to start writing!

Book Idea Workshop: Critical Steps to Elevating an Idea

When we have a book idea, we often don't know where to start. We ask, is this idea any good? Is it worth doing? Am I good enough to do it?

In this session, Amy Goldmacher will take you through an interactive process that will get you clear on your book idea so you can write it (or the proposal for it):

This session are for any writer, whether you’re writing fiction, nonfiction, or memoir, and whether you’re:

Take a 30,000-foot view of your project and get feedback for improvement. After this session, you will feel confident that your book idea has what it takes to succeed.

Beyond the Query: The First 50 Pages

Chantelle Aimée Osman, senior editor at Simon & Schuster's newest imprint, Simon Maverick, joins us for a new Symposium event.

Query letters and synopses are important steps in your publishing journey, but what really lands an agent, editor, or in the end, a reader, are the first 50 pages of your manuscript.

This workshop will not only give you the tools you need to perfect your query and synopsis, but will also discuss common pitfalls in the first 50 pages, and what to do to make them shine.

[Enjoy Chantelle as a guest on "The Story Will Save You" podcast.]

What attendees have said ...

Being Chantelle is part acquisitions editor, it was refreshing to hear that she exercises flexibility rather than following hard and fast rules. I also appreciated her empathy and ability to simultaneously see things from multiple perspectives; she clearly knows the industry, the angst of writers and reader expectations. I was stunned to learn that the Simon Maverick imprint accepts unagented submissions—all I can say is, BRAVO!

Chantelle was a fun and knowledgable presenter. I found her query letter guidance and 50 page polish tips helpful and different from other advice I've received.

I love Chantelle's conversational approach and level of detail in approaching the first 50 pages.  She also added the query process and two handouts, which are extremely helpful.  She also discussed some social media platforms that are useful for promoting books. Developing characters and crafting a thesis statement were also added benefits.

She was knowledgable, very engaging, and encouraging while still being realistic.

From Draft to Deal: What REALLY Happens After You Finish Your Book

You typed “The End”… now what?

Finishing your book is huge—but what comes next is what separates a finished manuscript from a published one. In this real-talk symposium, bestselling author and book coach Rea Frey takes you behind the curtain of what actually happens after you finish your draft—and why the real work (and magic) starts after the final page.

We’ll cover:

You’ll walk away with:

Perfect for:
Writers with a finished (or almost finished) manuscript, querying authors, and anyone stuck in the “what now?” limbo after typing The End.

What attendees have said ...

I thoroughly enjoyed the insightful journey into the intricacies of navigating the publishing world post-manuscript. Rea Frey's expertise shone through as she demystified the process, offering practical advice and real-world examples that were both inspiring and invaluable.

What I loved most was Rea's ability to blend her personal experiences with concrete strategies, making complex topics accessible and engaging. It was refreshing to gain a deeper understanding of what truly happens behind the scenes once the manuscript is complete.

It was incredibly informative. This went above and beyond. She was Great!

it was well done, comprehensive. I can't think of anything that was left out.

One-on-One with Literary Agent Kate McKean

Kate McKean is a literary agent at the Howard Morhaim Literary Agency in Brooklyn, but she's also an author and the creator of the popular Agents & Books newsletter. Get ready for the ultimate agent AMA.

Pipeline exec Jeanne Veillette Bowerman conducts an intimate one-on-one dialogue with Kate, diving into the life of an agent, and also her new book, Write Through It: An Insider’s Guide to Publishing and the Creative Life, available now. If that's not enough, she also has a picture book set to publish by Sourcebooks in 2026.

As always, our Symposium one-on-one conversations are a community event. While Jeanne and Kate converse, your questions will be addressed, too.

Pour a beverage, sit back and relax. Enjoy the dialogue.

Resources:

Kate’s Website
Agents + Books Newsletter
Kate on IG
Kate on X
Kate on BlueSky
Kate on Goodreads

Order Kate’s new book, Write Through It: An Insider’s Guide to Publishing and the Creative Life

Free Symposiums Mentioned:

Hard Truths: Book Writing Competitions
One-on-One with Victoria Strauss

Fundamentals of the TV Series Bible

*This event is not available on-demand but will be rescheduled for an encore at a later date.

Every television show has an engine; the consistent heartbeat of story that brings the narrative pieces together to make a series run smoothly, episode to episode and season to season.

But what does that mean practically for writers? How do you build an engine so it works flawlessly? And then, how do you pitch it on the page so simply that anyone from another writer to a producer to an executive can understand it clearly?

That’s what this class is about.

The TV bible is the script for your series pitch. Bibles range in size and shape, but one thing is the same. It will be the answer to this question:

How does your TV show work?

You’re going to learn how to define and execute the different pieces of narrative engine for a television series. And while that may sound academic and kinda daunting, after this class, you’ll walk away with simple, practical, and effective tools to use to break down existing shows, and to write the Bible script for your own.

Get ready to work with Merridith Allen, an instructor who has helped hundreds artists craft their show ideas—from emerging writers to staff writers, producers, and feature writers breaking into TV.

After this class, you’ll be next on the list!

*CONFIDENTIALITY: In an effort to best facilitate event participation, the recording will only be shared with the registrants and not available on-demand.

What attendees have said ...

Merridith is an excellent presenter and provided information on developing a package, TV series Bible, that is very helpful to me. She also offered insight to what to have ready in addition to a pilot episode such as additional episodes and seasons.

A jam packed presentation delivered with great energy and a wealth of vital info.

I was very happy to hear all these topics. Made me work on the bible of my series, and the logline again.

Thank you again for the symposium. It was very helpful. I have a clearer picture now of what to include and what to flesh out in my series bible. Merridith was a great speaker.

Writing for Comics: Finding an Artist and Comic Distribution

Recently nominated by the Chicago Reader as the best comic book writer in Chicago, comic writer and founder of Avina Comics John Aviña will demonstrate how to find an artist, spot common scams, how to be a good collaborator with an illustrator, and also share best ways to distribute your work once your project is complete, whether that be in traditional publishing or as an independent comic creator.

The following topics will be discussed:

This session is a wonderful compliment to John's first "Writing for Comics" Symposium available on-demand.

What attendees have said ...

The session was packed with useful information and timed well.

I loved the instructor's level of experience and his obvious love of the comics world.

Really appreciated John sharing his knowledge and experiences. I found it all enormously helpful, specifically the stuff you can't really research but is only learned by doing.

The Book Skeleton Workshop: How to Structure Your Story Before Writing a Single Word

Strong bones create strong stories. Build your Book Skeleton—and bring your story to life.

Most writers get stuck not because they lack talent—but because they lack structure.
Without a clear framework, even the best ideas collapse under the weight of confusion, doubt, and endless rewrites.

In The Book Skeleton, bestselling author and book coach Rea Frey will guide you through building the invisible structure that every strong book needs. Before you write a single word, you’ll design the "bones" of your story—giving you a clear, flexible blueprint to move forward with confidence, momentum, and creative flow.

This is not another overwhelming outline session. This is about creating a living, breathing skeleton that holds up your story’s spine, heart, ribs, and limbs—so you can finally start writing without fear or guesswork.

In this session, you'll learn:

You'll Leave With:

This workshop is for you if:

What attendees have said ...

Rea Frey presented a terrific method for structuring a novel that allows room for movement and change. Unlike so many speakers, she's traditionally published and knows what she's talking about. I highly recommend this course. - Lucy Sanna, author THE CHERRY HARVEST (William Morrow)

She was very knowledgeable and clear.  Loved her approach and hand-outs. 

Easy to follow. Plenty of examples. The framework reminded me of some instructional design aspects, which was an aha moment as something I’ve been chewing on came together.