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The Art of Pitching

February 18, 2026
Angela Douglas will break down what pitching really is, why it matters, and how to craft a clear, compelling hook and logline that works whether you’re drafting your first novel or preparing for a major pitch event. You’ll learn the core elements of effective pitching, the different types of pitches you’ll encounter online and in person, and how to make the most of the elevator pitch and the typical three minutes you’ll get to sell yourself and your manuscript.

Book Pipeline

Book Pipeline connects writers to publishers, agents, and the film industry through competitions and workshops, providing hands-on support to bridge the gap between emerging authors and the industry since 2014.

Script Pipeline

Script Pipeline connects writers with producers, agents, and managers, facilitating over $8 million in sales through competitions and ongoing industry support, helping launch major films and secure high-profile representation since 1999.

Film Pipeline

Film Pipeline connects filmmakers and writers with agencies and executives, focusing on diverse storytelling and playing an active role in developing and promoting projects, reviewing thousands of submissions annually since its launch in 2018.

The Art of Pitching

Scheduled

Wednesday, February 18, 2026

Time

7 pm EST / 4 pm PST

Duration

2 Hours

Cost

$35

Topic

Business

Pitching your book isn’t just for landing agents, it’s a skill that carries you through every stage of your writing career. Whether you’re approaching an agent, publisher, bookseller, or reader, a confident, polished pitch can open doors.

In this practical session, author Angela Douglas will break down what pitching really is, why it matters, and how to craft a clear, compelling hook and logline that works whether you’re drafting your first novel or preparing for a major pitch event. You’ll learn the core elements of effective pitching, the different types of pitches you’ll encounter online and in person, and how to make the most of the elevator pitch and the typical three minutes you’ll get to sell yourself and your manuscript.

It is never too early or too late to learn how to pitch with confidence. Angela will walk you through the exact criteria she uses to prepare for agent or publisher pitch sessions, giving you tools you can use immediately to talk about your book with clarity and impact. You’ll leave this session with a deeper understanding of hooks, loglines, and short verbal pitches and practical strategies to reduce nerves.

Bring something to take notes with, and your questions. This is a session you won’t want to miss, no matter what stage of writing you’re at.

Questions about registration? Check our handy FAQ page.

Events are recorded and emailed to all who register.

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Host

Angela Douglas
Angela Douglas is an award-winning Canadian author who lives in the beautiful Okanagan region of British Columbia with her husband and kids. Her debut psychological thriller, Every Fall, released in January 2025, has already earned wide recognition as a finalist for the Canadian Book Club Awards, a winner of the 2025 PenCraft Seasonal Book Award […]

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Upcoming Events

The Art of Pitching

February 18, 2026
Angela Douglas will break down what pitching really is, why it matters, and how to craft a clear, compelling hook and logline that works whether you’re drafting your first novel or preparing for a major pitch event. You’ll learn the core elements of effective pitching, the different types of pitches you’ll encounter online and in person, and how to make the most of the elevator pitch and the typical three minutes you’ll get to sell yourself and your manuscript.

Logline Workshop

February 25, 2026
You may have been banging your head against the wall trying to construct a great logline, but you’re frustrated you can’t quite hit the mark. Merridith with teach the components execs want to see in a logline, and provide tons of insights. You’ll leave with the tools you need to whip them into shape.

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Memoir is a deeply challenging genre for any writer seeking to parlay real-life events into a story that connects with total strangers. As Mary Karr observes, “a fiction writer starts with meaning and then manufactures events to represent it; a memoirist starts with events, then derives meaning from them.” Deriving meaning is a lengthy, complex […]

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