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Surveillance: What is It, How to Write It

April 15, 2026
You’re writing a mystery or maybe a thriller, and your protagonist needs to surveil a suspected villain to confirm if they really are as bad as alleged. Or, perhaps your character is the one being hunted, his or her every move watched, tracked, and listened to. This is surveillance. If you want to learn about the reality of surveillance so you can write more compelling fiction, tune in to this event to hear from Adam Sikes, a former CIA Officer and expert in physical and technical surveillance.

Book Pipeline

Book Pipeline connects writers to publishers, agents, and the film industry through competitions and workshops, providing hands-on support to bridge the gap between emerging authors and the industry since 2014.

Script Pipeline

Script Pipeline connects writers with producers, agents, and managers, facilitating over $8 million in sales through competitions and ongoing industry support, helping launch major films and secure high-profile representation since 1999.

Film Pipeline

Film Pipeline connects filmmakers and writers with agencies and executives, focusing on diverse storytelling and playing an active role in developing and promoting projects, reviewing thousands of submissions annually since its launch in 2018.

The First-Person Voice: Getting Past “I”

Recorded

October 8, 2025

Duration

2 Hours

Cost

$35

Subject

Publishing

Topic

Craft

Writing a novel in first-person seems easy at first. After all, how hard can it be to get inside just one character’s head and stay there? As it turns out, quite hard. To be sure, the first-person perspective is an exciting opportunity to explore your protagonist’s deepest secrets and drives and develop a sympathetic bond with the reader as they get to know your character from the inside. I bet many of our favorite books are told in first-person.

But from a craft perspective, writing in first-person is a potential minefield. Building an interesting and dynamic world full of believable characters can be extra challenging when the reader can only see that world through one set of eyes. Common pitfalls involve an over-reliance on telling rather than showing; not using inner dialogue strategically to build conflict and tension; and accidentally switching out of first-person, which can confuse the reader.

By the end of this presentation, you’ll be armed with a variety of techniques to help you use first-person effectively in a variety of genres and to recognize several pitfalls before you get too far along.

This presentation will cover:

  • Determining if first-person is the right POV for your story and genre
  • An understanding of how first-person works differently from other POVs
  • Hallmarks of great first-person POV work
  • Techniques to vary your writing style within first-person
  • Real-time writing exercise based on a first-person prompt 

What Attendees Have Said ...

"I was pleasantly surprised that Amy covered other POVs in addition to 1st Person. By doing that, she was able to compare and contrast the different POVs."

"Excellent presentation! Made the diverse POVs very understandable. The teacher was genial and terrific."

Host

Amy L. Bernstein
Amy L. Bernstein writes award-winning, genre-crossing fiction, poetry, and nonfiction. Her most recent book is Wrangling the Doubt Monster: Fighting Fears, Finding Inspiration, a hybrid work for self-doubting creatives, shortlisted for the Eric Hoffer Grand Prize. Her fifth novel, Tent City, is forthcoming from Running Wild Press. Amy is also a professional book coach, helping nonfiction writers to […]

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Upcoming Events

Surveillance: What is It, How to Write It

April 15, 2026
You’re writing a mystery or maybe a thriller, and your protagonist needs to surveil a suspected villain to confirm if they really are as bad as alleged. Or, perhaps your character is the one being hunted, his or her every move watched, tracked, and listened to. This is surveillance. If you want to learn about the reality of surveillance so you can write more compelling fiction, tune in to this event to hear from Adam Sikes, a former CIA Officer and expert in physical and technical surveillance.

Deconstructing Books for Craft and Marketability: Read Like a Writer

April 22, 2026
Learn how to turn every book you read into a craft lesson. We’ll analyze openings, character construction, themes, and endings to uncover the mechanics beneath the magic. Instead of guessing what works, you’ll learn directly from stories that have already earned their place on the shelf: how authors hook readers, build momentum, and deliver satisfying endings that helped them secure publication in the first place.

Building a Powerful Query Letter

April 29, 2026
In this practical session, author Angela Douglas will show you how to take the key elements of a strong pitch: your logline, comparable titles and bio and turn them into a clear, engaging query letter that stands out in a crowded inbox.

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10 Questions to Figure Out What Your Memoir is REALLY About

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Memoir is a deeply challenging genre for any writer seeking to parlay real-life events into a story that connects with total strangers. One big challenge at the outset is figuring out the “container” for your book: Where to begin, where to end, what to include, what to exclude, and how to tell a compelling story about your transformational journey.

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