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Tune into live conversations with authors, editors, and literary agents sharing their journeys and expertise in the world of publishing.

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Watch live panels featuring screenwriters as they break down their techniques for crafting compelling scripts and navigating the entertainment industry.

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April 16, 2025

How to Build Pitch Decks for Development and Inspiration

Maya will walk you through the importance of this document and break down the different components needed for your deck to truly stand out from the rest. No design experience necessary—you’ll get plenty of her best tips and tricks from her many years and expertise as a graphic artist (and no, you do NOT need to use A.I. ...)

Book Pipeline

Book Pipeline connects writers to publishers, agents, and the film industry through competitions and workshops, providing hands-on support to bridge the gap between emerging authors and the industry since 2014.

Script Pipeline

Script Pipeline connects writers with producers, agents, and managers, facilitating over $8 million in sales through competitions and ongoing industry support, helping launch major films and secure high-profile representation since 1999.

Film Pipeline

Film Pipeline connects filmmakers and writers with agencies and executives, focusing on diverse storytelling and playing an active role in developing and promoting projects, reviewing thousands of submissions annually since its launch in 2018.

How to Determine the Best Medium for Your Story

Scheduled

Wednesday, May 7, 2025

Time

7 pm EDT / 4 pm PDT

Duration

2 Hours

Cost

$35

Subjects

Publishing, Screenwriting

You know the basics of storytelling. You’ve mastered the art of imbuing the Who with specific needs and desires. You’re expert at the art of structuring the What with conflict and reversals. You’re old hat at using verisimilitude to fill out the Where and interrogating the spectrum of ethics for the Why. 

But what about the How? 

What medium is the best fit for your story? Is it a play? A screenplay? A TV show? If it’s best told using narrative prose, should it be a short story? A novel? Somewhere in between? 

We'll go over the specific strengths and weaknesses of each medium, using successful (and less-than-successful) examples to highlight the importance of marrying the right content to the right form, as well as the additions and sacrifices required for adapting a story from one medium to another. 

This presentation will cover:

  • The universal components all stories must have
  • The specific components each medium requires
  • How to meet (and subvert) reader/audience expectations of that medium
  • How to adapt a story from one medium to another 
  • Many examples to guide us along the way
  • Q&A

Questions about registration? Check our handy FAQ page.

*NOTE: If you want the recording sent to you, do not check off the box in the Zoom Events registration process that restricts us from obtaining your email address and do not unsubscribe from Symposium emails.

Confirmation emails come from Zoom Events—search your inbox for noreply-zoomevents@zoom.us—not Pipeline Media Group.

Host

Joshua Corin
Joshua Corin is the author of critically acclaimed novels, most recently Assume Nothing from Thomas & Mercer, and bestselling comic books, most recently Spider-Man/Deadpool from Marvel. His screenplay Windfall won first place in the Open Door Contest co-sponsored by Dimension films, and the video essays he has written for clients such as Wisecrack have received millions of views. His work has […]

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Upcoming Events

April 16, 2025

How to Build Pitch Decks for Development and Inspiration

Maya will walk you through the importance of this document and break down the different components needed for your deck to truly stand out from the rest. No design experience necessary—you’ll get plenty of her best tips and tricks from her many years and expertise as a graphic artist (and no, you do NOT need to use A.I. ...)
May 7, 2025

How to Determine the Best Medium for Your Story

What medium is the best fit for your story? Is it a play? A screenplay? A TV show? If it’s best told using narrative prose, should it be a short story? A novel? Somewhere in between? We'll go over the specific strengths and weaknesses of each medium, as well as the additions and sacrifices required for adapting a story from one medium to another.

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