Publishing

Tune into live conversations with authors, editors, and literary agents sharing their journeys and expertise in the world of publishing.

Screenwriting

Watch live panels featuring screenwriters as they break down their techniques for crafting compelling scripts and navigating the entertainment industry.

Filmmaking

Discover live streaming events where directors, producers, and cinematographers discuss the creative and technical processes behind their films.
April 1, 2025

Spies, Lies, and the Secrets We Keep – Spy fiction, what is it and how do we write it?

In this 2-part event, get a a deeper understanding of what makes a novel fall into the spy fiction genre, as well as how to write stories that possess the basic elements of spy novels. The principles also apply to thriller and mystery genres.

Book Pipeline

Book Pipeline connects writers to publishers, agents, and the film industry through competitions and workshops, providing hands-on support to bridge the gap between emerging authors and the industry since 2014.

Script Pipeline

Script Pipeline connects writers with producers, agents, and managers, facilitating over $8 million in sales through competitions and ongoing industry support, helping launch major films and secure high-profile representation since 1999.

Film Pipeline

Film Pipeline connects filmmakers and writers with agencies and executives, focusing on diverse storytelling and playing an active role in developing and promoting projects, reviewing thousands of submissions annually since its launch in 2018.
April 1, 2025

Spies, Lies, and the Secrets We Keep – Spy fiction, what is it and how do we write it?

In this 2-part event, get a a deeper understanding of what makes a novel fall into the spy fiction genre, as well as how to write stories that possess the basic elements of spy novels. The principles also apply to thriller and mystery genres.

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Subject: Screenwriting Format: Streaming
March 18, 2025

Writing for Comics
In this session with comic writer and founder of Avina Comics John Avina you will learn how to tell stories in a sequential manner, and write for not only your audience but also for an artist. John will cover panel layouts, budgeting space for dialogue and telling a character arc across one issue. The goal […]
March 11, 2025

Writing Great Dialogue
Writing believable, compelling dialogue is one of the hardest parts of constructing fictional narrative. Julia F. Green will guide you through how to create great dialogue, including hands-on exercises.
January 28, 2025

Concept is King: Elevating Story Concepts
What makes a good concept? And how do you make sure you fulfill its promise on the page? In this symposium, veteran screenwriter and teacher Tom Vaughan defines concept and shows how to exploit it your narrative projects. This session will offer a whole new insight in what is meant by commercial viability.
January 7, 2025

The State of Hollywood: A 2025 Primer for Film & TV Writers
Screenwriting career coach Lee Jessup brings a new Symposium, exclusively for film and TV writers—both new/emerging and semi-established—focusing on the current state of the industry, the hard truths rarely discussed (yet every writer has to confront), and exploring all that is required to move your writing—and your career—forward.
November 19, 2024

Christmas for Cable: Writing Cable Network Films
Writing for cable networks such as Hallmark, Lifetime, or UpTV is specialty writing. Same with any of the streaming services looking for a “Hallmark” type of Christmas film—and they all are. They each have their specific brand. For their specific audiences. They have guidelines you have to write to. This class will lay those out […]
October 16, 2024

Writing Captivating Scenes
Julia F. Green will break down the scene to its basic elements, explore what each element needs to be successful, and discuss how these elements must work together to make the scene shine.
October 8, 2024

Writer Therapy: Creating Opportunities in Film, TV, and Beyond
With screenwriting career coach Lee Jessup and writer-turned-therapist Phil Stark (Dude, Where's My Car?), we'll not only discuss the state of the industry but also the mindset needed to stay in the game.
August 12, 2024

Networking Advice to Get and Stay in the TV/Film Industry
Amanda Graham reverse engineered how networking is in the industry, and how to do it, especially when you have no bloody clue what you're doing. And it completely changed my career. Previous session attendees contact her all the time to say these tips have changed things for them, too.
August 5, 2024

Writing to Budget
Every time you get a writing assignment of any kind it comes with what the budget for the film is, and you are expected to write to that budget. Every writer at some point gets these same limitations. You either learn to write to them or they hire someone else who can.
July 23, 2024

Hard Truths: From Screenwriter to Graphic Novelist
Pipeline Executives Roni Brown and Spike Scarberry join Thomas Krajewski—the co-creator of Primer (DC), a really rad graphic novel series, and a former Script Pipeline TV Winner (2014)—to discuss the intricacies of the comic world.

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Subjects
Publishing
Screenwriting
Filmmaking
Topics
Bundle
Business
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Formats
Upcoming
Streaming
Podcast
Hosts
Abigail Bloom and Laura Huie
Adam Sikes
Amanda Graham
Amy Goldmacher
Amy L. Bernstein
Annalisa Koukouves
Anthony Chin-Quee
Ashley Wilkins
Beth Bruckner O'Brien
Beth Szymkowski
Bob Saenz
Bryan Young
Chantelle Aimée Osman
Dani Segelbaum
Dennis James Sweeney
Faye Rapoport DesPres
Foyinsi Adegbonmire
Grant Faulkner
Isabel Sterling
Jeanne Veillette Bowerman
Jeff Willis
Jessica Hobbs
Joe Clarke
John Avina
Jordan Rosenfeld
Julia F. Green
Karen Krumpak
Karen Richardson
Kay Tuxford
Kevin T. Morales
Kuros Charney
Latoya C. Smith
Lee Jessup
Leigh Statham
Leila Siddiqui
Maya Zivkovich
Merridith Allen
Rea Frey
Roni Brown
Ruth Sabin
Sharon Woodhouse
Sharri Hefner
Shawn Hainsworth
Spike Scarberry
Stacey Graham
Teri Bayus
Tom Vaughan
Zoe Quinton
Panelists
Alie Flierl
Beth Bruckner O'Brien
Bri Janes
Bryce McLellan
Chantelle Aimée Osman
Ciara Duggan
Craig Weeden
Doug Richardson
Eric Brodeur
Grant Faulkner
Halle Mariner
J.T. Ellison
Jane Friedman
Jeanne Veillette Bowerman
Jeff Portnoy
Jimmy Palmiotti
John Zaozirny
Joshua Pruett
Karin Partin Wells
Kay Tuxford
KC Jones
L. M. Elliott
Lane Shefter Bishop
Laura Picklesimer
Lee Jessup
Lee Matthew Goldberg
Lisa Lowe Stauffer
Matthew J. Misetich
Melissa Miles
Merridith Allen
Michael Owens
Michelle Daniel
Michelle Domanowski
Peter Malone Elliott
Phil Stark
Prarthana Mohan
Romi Moondi
Roni Brown
Ruth Sabin
Sadie Dean
Sandra Leviton
Scott Myers
Sean Collins-Smith
Spike Scarberry
Tom Krajewski
Ty Leisher
Victoria Strauss
Costs
Free
Paid

Education for creators.

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Upcoming Events

April 1, 2025

Spies, Lies, and the Secrets We Keep – Spy fiction, what is it and how do we write it?

In this 2-part event, get a a deeper understanding of what makes a novel fall into the spy fiction genre, as well as how to write stories that possess the basic elements of spy novels. The principles also apply to thriller and mystery genres.
April 16, 2025

How to Build Pitch Decks for Development and Inspiration

Maya will walk you through the importance of this document and break down the different components needed for your deck to truly stand out from the rest. No design experience necessary—you’ll get plenty of her best tips and tricks from her many years and expertise as a graphic artist (and no, you do NOT need to use A.I. ...)

Latest Streaming

March 18, 2025

Writing for Comics

In this session with comic writer and founder of Avina Comics John Avina you will learn how to tell stories in a sequential manner, and write for not only your audience but also for an artist. John will cover panel layouts, budgeting space for dialogue and telling a character arc across one issue. The goal […]
March 11, 2025

Writing Great Dialogue

Writing believable, compelling dialogue is one of the hardest parts of constructing fictional narrative. Julia F. Green will guide you through how to create great dialogue, including hands-on exercises.
March 4, 2025

Writing Your Second Draft: Elevating Your Story

After an author types “the end” on the first draft of a novel, the real work is about to begin. You’ve heard the adage that writing is revising, and that’s largely true. The difficulty is knowing how to begin the revision process. Where do you start? How do you identify weaknesses in your first draft? Is there a right way and a wrong way to go about this? 

Symposium, presented by Pipeline Artists, is a year-round virtual conference empowering creatives with honest, no-nonsense guidance across the arts. Through seminars, industry panels, and Town Hall discussions on screenwriting, filmmaking, publishing, and career-building, Symposium offers grounded advice from working professionals to help you forge your own unique path.

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